A Bra and belt with an elegant wide skirt for the most classic of Mejance; A sinuous and adherent dress, perhaps in velvet, to express the passion of Tarab; A tunic with wide sleeves or why not, an original reinterpretation in modern key, to interpret a dynamic saidi; A tight half-sleeved tunic with a lurex belt to emphasize the hips for a Beledi dance; A sexy and cheeky short dress to interpret an Iskandarani ; And then the colors, the full skirts, the flowers, the braids, the jugs, the sagats that characterize the most cheerful and engaging folk styles such as Fellahi, Hagalla and Nubian.
So everybody agrees that For each style ... its rules!
But dance is also evolution and innovation ...
so .... experimenting, innovating is always positive even when it comes to choose your costumes.
I, in fact .... love to play with MY COSTUMES. Firstly I chose them according to the style, then I think about my body and corporature and lastly I ask the sewer for something innovative, something inspiring: it can be an hairband, a skirt with my name written on it, a special veil with an image printed that recalls the topic of my performance!
Anything that can make my performance UNIQUE!
IN particular, I love to play with my SAIDI costumes! To the usual tunic, I prefer innovative, inspiring and provocative dresses with which to make the show more engaging.
Give a look to my personal style in the SECOND HAND COSTUME SECTION!